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A dear friend of mine sent me a scan of a page from a WWII era issue of Chess 
Review depicting an article called Skeletons in the Chess Closet by Clyde 
Hall. Normally, I prefer text to a scan, but in this instance, seeing the actual 
page directed my attention to an advertisement in the original issue that I 
would have missed otherwise - 
 
  
I've written about different chess 
clubs and cafés, from the Café de la Régence to The Manhattan Chess Club to Lisa 
Lane's Queen's Pawn to the Franklin Chess Club to Kiev's Warsaw Café to San 
Francisco's Mechanic's Institute, over time and these places still pique my 
interest. Not being NYC savvy, I had never heard of Chumley's and didn't realize 
it was, in fact, a landmark. Just this past April it closed due to severe 
structural problems but seemingly has plans to re-open some indefinite time in 
the future. I looked into the history of Chumley's hoping to find some chess 
stories. What I found was it's unusual history and an unexpected and 
indirect connection to chess. 
                        
Chumley's entrance at Pamela Court 
 The 
building at 86 Bedford St. was erected around 1830 as a blacksmithery. During 
the Civil War it supposedly housed runaway slaves and eventually became a place 
of gathering for left-wing factions. It became a tavern and actually burned down 
in 1905 only to be rebuilt. In 1922,  Leland (Lee) Chumley used the site as 
a speakeasy, serving up alcohol and gambling. Like most speakeasy's it had to 
keep it's existence, if not entirely secret, at least non-obvious, so no sign or 
identification marked it's out-of-the-way entrance - at Pamela Court accessed 
via a small passageway from Barrow Street. While speakeasy's went the way of 
zoot-suits, Chumley's retained the tradition of no signs and the inconspicuous 
entrance, making it hard-to-find, but often-sought-out. Both during and after 
the Prohibition, Chumley's was one of the more popular hang-outs for writers, 
both aspiring and famous. On the walls are mounted covers from numerous books 
that they claim were written in part in that tavern. Portraits and photographs 
of well-know customers fill another wall. Willa Cather, Ernest Hemingway, e.e. 
cummings, Norman Mailer, Theodore Dreiser, William Faulkner, Ring Lardner, Edna 
St. Vincent Millay, Philip Wylie, William Seabrook, Heywood Broun, Elmer Rice, 
Howard Scott, Eugene O'Neill, Allen Ginsberg, John Dos Passos,  John 
Steinbeck, Willie Pogany, cartoonist C. D. Batchelor;  Rex Stout, Stark 
Young, Edna Ferber, James T. Farrell - all came to Chumley's. 
                                        
The April 12, 1935 edition of the NY Times read:  
Lee Chumley — “Soldier, Artist, Writer and Covered Wagon Driver” — dies 
at 50. Born in  
Chattanooga, Tenn., he studied art in Denver and Chicago. “During the last 10 
years he was well known in  
Greenwich Village and was usually seen dressed in a floppy hat, open shirt and 
wavy necktie.” 
See:
Remembering Chumley's 
 
Chess and other games were played at Chumley's 
as the ad above indicates. A 1959 article claimed, "Chess  
and checkers are the favorite timekillers here and manager Ray Buillano 
sometimes participates in as many as  
four checker or chess games simultaneously while doubling behind the bar." 
A curiosity in the very next year 
involved Chess at Chumley's -  
According to a  June 2, 1960 story in the NY Times (page 22): 
  
SLAIN OVER CHESS GAME; 
Writer Killed During Fight in 'Village' Bar 
   June 1, 1960: Clinton Curtis, 43, a freelance 
writer, is killed in a brawl over  
a chess game at Chumley's. Michael L. George, a 34-year-old seaman whom  
Curtis had just defeated, broke a beer glass against  Mr. Curtis's neck, 
cutting  
his jugular vein, the police said. 
   
 
However, the most intriguing story involves a 
famous chess master not playing chess. 
The chess master was Edward Lasker. 
While not directly related to the Great Emanuel Lasker, Edward was a superb 
player and a mathematician in his own right. Lasker was born in Kemplen (located 
just 30 km from Düsseldorf), Germany in 1885, emigrated to the U.S. at the start 
of WWI and took up residence in NYC.  
From an article entitled How The 
Young Edward Lasker Learned About Go by Jerald E. Pinto and published in the 
June, 1981 issue of The American Go Journal, we learn that Edward Lasker 
became interested in the game of Go while a student in Berlin.  
One day I was at the library of the 
University of Berlin. At that time, that is, in 1905, I was a student of 
electrical engineering. With me at the library was a fellow student, a 
mathematician, and we happened on a large magazine with a treatment of Go. [Oskar
sbc] Korschelt [who helped popularize Go in Europe sbc], 
the author, gave many old Japanese games and explained the game quite 
thoroughly, but what struck us was the article's title :Das Go Spiele, ein 
Konkurrent des Schachs, that is 'Go: A rival of chess' [published in 
the journal Mitteilungen der Deutschen Gesellschaft für Natur und Völkerkunde 
Ostasiens in 1880 sbc]  which seemed a humorous claim. Well, 
we glanced through the article and learned the rules in the few minutes that 
takes.  
 
Then one day at the cafe in Berlin where the Chessplayers used to gather in the 
afternoon my friend Max Lange and I saw a Japanese reading a Japanese paper, on 
the back of which we noticed a Go diagram. We thought 'Well, that's remarkable'; 
we knew, of course, about chess columns, but Go columns? We didn't know what to 
think, so we waited until the fellow was gone and took the paper down from the 
newspaper rack. We put ourselves to deciphering the diagram. The problem lay in 
decoding the Japanese numerals the diagram used, but although we hadn't actually 
played more than a game or two of Go, we worked things out without too much 
trouble. So we went through the game, but after 120 or 150 moves things came to 
a stop, and there was some notation.  
 
We waited until a few days later we saw another Japanese customer at the cafe, 
whom we approached to ask whether he would mind telling us what that notation 
meant. Oh, first it seemed obvious to us that it must say 'White resigns', since 
Black had an enormous army and there didn't seem to be any reasonable 
continuation for White, or else something like 'Game adjourned'. Well, the 
gentleman said, 'Certainly, "Black resigns!" When we heard that we decided that 
we would really have to give a good look at the game, and we took the newspaper. 
About 3 weeks later Max Lange called to say that he had found a sacrificial 
continuation for White ending in the capture of the Black army 22 moves later. 
Then we really started to play Go in earnest.  
 
Now it should be explained that the 
Max Lange referred to here wasn't the Max Lange, the great player, writer 
and analyzer (who had died in 1899) but rather his son, Max Lange the second, 
who was born in 1883. Max Lange the younger even moved to Japan in 1920, an 
unfortunate decision since three years later he was killed (along with about 
140,000 others) in the Great Kantō earthquake of 1923. Lange had written one 
book in 1914 entitled, 
Das Schachspiel, und seine strategischen Prinzipien, which attempted to 
apply mathematical principles to the understanding of chess.  
  
So, what does all this have to do 
with Chumley's? 
As 
Lasker himself explained: 
In New York I met two men who knew 
the game of Go. One was Mr. Karl Davis Robinson, and the other Mr. Lee Foster 
Hartman, the editor of Harper’s Magazine. But when I went to live in Chicago and 
did not return to New York until 1925, where we formed a little Go Club with Mr. 
Robinson, Mr. Hartmann and a few others who we had interested in the game. Some 
German players who had immigrated here after the war also joined, and gradually 
we developed into quite a lively group of Go enthusiasts. We met once a week at 
Lee Chumley’s, a well known restaurant in Greenwich Village. In 1934 I wrote an 
elementary book on Go which Alfred Knopf’s publishing house brought out, and 
many new addicts were brought into our circle through the book. 
 
In his article 
How 
Go came to America, Milton N.Bradley of the Long Island Go Club, credits 
this little Go group that met at Chumley's, during the Prohibition,  with 
being the first concrete and effective effort to establish Go in America. 
  
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