Harold Sterner was an 
      architect/ painter, born in 1895 in New York City. He was the son of the 
      famous painter/illustrator Albert Sterner and art gallery director Marie 
      Walther Sterner. 
      In 1917, he graduated fro MIT 
      with a degree in  architecture and opened his own architectural firm 
      in 1932. Although he never received any formal training in painting, he 
      did paint occasionally to supplement his income, particularly during the 
      depression. Harold Sterner died in 1976.
       
    
    
      In 1880 a scrawny, 
      17-year-old boy with a strong British accent got his first job as floor 
      sweeper and general retoucher in the Chicago lithographic firm of Shober & 
      Carqueville. A year later he was a scene painter for the Chicago Opera, 
      priming the enormous backdrops with a large brush dipped in glue. This job 
      he attacked so earnestly that at the end of his first day's work he fell 
      in a dead faint on the floor. His name was Albert Sterner, born a U. S. 
      citizen, in England, of naturalized parents. 
      Last week the same Albert 
      Sterner, now 74, held an exhibition of 18 paintings and 32 prints, 
      drawings and monotypes at Manhattan's Kleemann Galleries. The art world 
      paid respectful attention, for Artist Sterner, who has been called the 
      "ablest figure painter in America," is at least one of the ablest and most 
      forceful draftsmen of the nude in the U. S. At last week's exhibition his 
      portrait heads, still lifes and landscapes were unexceptionable, but 
      several of his nudes showed that his rapid, unerring draftsmanship has not 
      faded with the years. 
      One of the last survivors of 
      the generation of artists that preceded Henri, Bel lows, Glackens and 
      Sloan, dapper, white-bearded Albert Sterner is proud of the fact that he 
      taught George Bellows and Rockwell Kent to make their first litho graphs, 
      that the fluttering ribbons of his eyeglasses have been in the thick of 
      every U. S. art battle for a quarter of a century. His first wife, Marie 
      Sterner, long a Manhattan art dealer, was among the first to introduce 
      modern French painting to the U. S. His son, Architect Harold Sterner is a 
      World War veteran and designer of the Helena Rubinstein beauty parlor.
      
      "Harold," explained his 
      father recently, "is always reading abstruse meanings into my pictures 
      that frankly I can't see. To tell the truth, he's a damned esthete."